Can you believe we've just flipped another
calendar page?
We're already into March as we flashback to 1967
...
Don't miss the daily posts here: http://forgottenhits60s.blogspot.com/
Start your day with Forgotten Hits!
And check THIS out ...
We've got another great offer for Forgotten Hits
Readers ...
The Genesee Theatre has set aside a select number
of seats for the May 25th performance of Tommy James and the Shondells,
featuring Special Guests The Association which will become available tomorrow
morning beginning at 10 am. Full details are below ... but hurry ... we've only
got a total of 20 seats in each price bracket and we would LOVE to be able to
sell them all at this VERY special Buy One, Get One Free.
The hits didn't come much bigger than what these
guys were crankin' out in '67 ... "I Think We're Alone Now" ... "Mirage" ...
"Windy" ... "Never My Love" ... you'll hear 'em all (PLUS LOTS MORE!) in this
killer concert event.
It's a Buy One, Get One offer
that's too good to pass up!
The Genesee Theatre has set
aside a total of 80 tickets (20 tickets - 10 pairs - in each price level) for
this very special offer ... but you've got to hurry!
This is a limited time offer
...
The Promo kicks off
on Friday, March 3rd at 10 am and ends on Monday, March 20th at 10
am.
Don't miss your chance to see
two of the biggest acts of the '60's ... performing together in one exceptional
concert.
Available online only at http://www.ticketmaster.com/event/0700522AE22871D0?brand=genesee&camefrom=CFC_GENESEE
Use promo code: FORGOTTENHITS when ordering
Available online only at http://www.ticketmaster.com/event/0700522AE22871D0?brand=genesee&camefrom=CFC_GENESEE
Use promo code: FORGOTTENHITS when ordering
More information here: http://www.geneseetheatre.com/events/detail/tommy-james-the-shondells
Speaking of great concerts, it sounds like we
missed an exceptional one last night at The City Winery where The Ides Of March
were performing. (Another marathon work session kept me from being able to
attend ... again ... but Forgotten Hits Reader and contributor, noted
commentator and our FH Buddy Chet Coppock WAS able to catch the show and files
this incredible report):
Dear Kent:
I have this vision.
Turn back the hands of time to 1958.
A scrawny 18 year old kid from, Brooklyn ... or maybe the Bronx ...
(anywhere but Berwyn) ... is earning his bones while churning out songs at the
fabled Brill Building, rock 'n roll's original Mecca, at 1619 Broadway - right
in the heart of Times Square.
To the young guy's left sits Carole King. Leiber and Stoller are
laying chords for what will become "Stand
By Me." Barry Mann and Cynthia Weil are gabbing with Neil Sedaka or maybe
Phil Spector.
This boy's name is Jim Peterik.
A fable? Of course. But, let’s keep in mind that over the years in
a variety of capacities Jimmy has been associated with no less than 19 top 20
records.
J.P., our local rock 'n roll reverend (worth an estimated 12
million dollars) and his beloved Ides of March brought the congregation together
for yet another revival meeting this past Wednesday night at the City Winery on
Randolph St.
You don't review the Ides. That's too easy. You simply make
observations about a two hour slice of musical frenzy that leaves an audience
exhausted but yearning for just one more riff of "Eye Of The
Tiger."
Indulge me for a moment. Ex-Bears Otis Wilson and Dan Hampton play
damn good garage band rock 'n roll as the Chicago Six. Otis and I are long time pals and I just
recently completed work on his biography. The 98,0000 word epic will be released
this fall.
During a gab session with the Big O, he mentioned meeting Jim and
asking him how much money he figured he'd made off "Eye". According to Wilson,
Jim's response was, "Otis, I haven't stopped counting." Jeez, I love the respect and gratitude Jim displays to the three
original band members who are still by his side. I heard "L.A. Goodbye" for the
umpteenth time and still marvel at how this poetic tune makes me smile and
almost cry at the same time.
Peterik, with what's now his trademark purple hair, relates stories
of songs written while touring in China and Germany. He speaks like a
testosterone driven 14 year old getting his first kiss as he relates a session
jamming with Memphis Godfather Steve Cropper.
Jim is given a big lift from the harmony provided by his background
singers and the thunder from his horn section while his keyboard seems as
blissful, yet, pleasing, as a summer night's walk on Oak Street
Beach.
Yes, this band could easily be BS&T or
Traffic.
Jimbo, you made us smile as you arrived on stage in your silver on
silver outfit with your beloved cowboy boots. Your guitar with the orange tiger
stripes makes me wonder if you're under contract as a walking billboard for the
Clemson football team.
You and your team dare to be different. You cover "High on You" as a combo reggae /
calypso song. That took guts. As you began to explain the concept, I wasn't sure
you guys could pull it off, but you did to the delight of smart phones
illuminating the winery.
Your extended version of "Eye" had the house on its feet as you
prowled off stage into the audience at once looking like a strutting peacock as
you savagely beat the hell out of your guitar.
You made me laugh out loud when you sang about the greaser you dug
during your high school days who drove that De Soto. But again, you also made me
reflective as we all know a guy like that who's wrist watch and lust for life
entered menopause as Ike gave way to JFK.
What can I say about your Hendrix oriented solo? It would make Clapton
proud.
This must be mentioned. I
love, downright love the Rolling Stones. But over the years, it has bothered me
that during their concerts, as the Stones riff through "Jumpin' Jack Flash",
"Brown Sugar and, perhaps, "Bitch" or
"When the Whip Comes Down," that the
beat on the songs seems painfully repetitive.
Dare I say that the world's greatest rock 'n roll band has left me
feeling a bit cheated the last two or three times I've watched Mick struggle to
knock out "Gimme Shelter."
Book it, The Ides honor their songs and their audience. No tempo is
over-energized from 45 to 78 and counting. No passion is misplaced by chords
that don't fit. You specialize in recording studio quality backed by a
remarkably spontaneous vibe.
Jimbo, your vocal on "Is This Love" was a highlight on an evening
that was non-stop highlights.
The toughest critic in the world, my girlfriend Suzy, said, "These
guys aren't as good as they were 53 years ago … they're better. Can they play
Vehicle again?"
Concert rating: 4-Stars.
Chet Coppock: Host: Chicago Blackhawks Heritage Series
Suzy's right ... I've seen The Ides about fifty times now and I
swear they just sound better and better with every show ... and I love the fact
that they're still experimenting and reinventing themselves with new material
and new arrangements all the time. They keep it fresh for themselves and their
audience. Damn, I wish I could have seen this show ... I knew it was going to
be a great one. Thanks for the excellent review, Chet!
(kk)
Did you watch the Academy Awards Ceremony Sunday
Night? (It's about all they've been talking about this week!)
I couldn't have been more surprised ... and
pleased when it was announced that Warren Beatty and Faye Dunaway, stars of one
of 1967's biggest pictures, "Bonnie And Clyde", would be presenting the Award
for Best Picture ...
How cool to have them do this fifty years after
"Bonnie And Clyde" reigned at the Box Office.
They seemed to get off to a rather awkward start
...only to have things turn ten thousand times worse when Warren Beatty blew it
by announcing the wrong picture!!!
In front of a worldwide audience well into the
billions (!) Beatty gave the Best Picture Award to "La La Land" ... and the
entire cast and grew came up to accept the award ... only to find
out mid-acceptance speeches that the REAL winner was a movie called
"Moonlight"!!! HOW EMBARRASSING!!! After a short moment of chaos (it truly
was, as Jimmy Kimmel stated, a Steve Harvey moment!), things settled down and
the proper cast and crew came up to make their own acceptance speeches.
Oh My God! They'll be talking about the 2017
Oscars for the next fifty years!!!!
With all the technology in the world today, how
does a mistake like this even happen?!?!?
(It wasn't Beatty's fault ... all he did was read
the envelope they handed him ... but that long pause and bewildered look on his
face said it all ... he didn't think it was right either but read what he was
given ... which was a duplicate of the "Best Actress - Emma Stone - La La Land"
award from moments before. Absolutely unreal!
By the way, you'll find TONS of "Bonnie and
Clyde" photos coming up as our 1967 calendar continues ...
But here's how the Dynamic Duo looked Sunday
Night up on the podium (kk) ...
Hey Kent -
I dug up a few more of my 60s rock
group photos at 'LS and I'll post them first chance I get.
Speaking of the Coca-Cola spots as
Chuck was, I did a few of them as well in the 60s -
I think it may have been at Chess
Studios -
The only one I really remember was
with the "Up Up and Away" group, The 5th Dimension. They were live cutting the
jingle - great talented people - I spent the day with them just so I could do my
tag line which was "the fabulous 5th Dimension having a golden day with Coke."
Yep, the copy really ended "with
Coke" innocently enough. Wow ... if you used that line today, you'd be Twittered
to death!
Ron Riley
Thanks, Kent ...
Sure would like to see Tommy and
the guys again ... been quite a while ... :O)
Later, my friend.
Barry
Later, my friend.
Barry
[Barry Winslow - The Royal
Guardsmen]
Local fans can see Tommy live at The Genesee
Theatre on Saturday, March 25th - be sure to check out our Buy One, Get One Free
Ticket Offer at the top of this email.
By the way, I can assure everyone that Tommy
sounds just as good today as he did back then ... and performs just as
enthusiastically. It's an incredible, high-energy show that'll have you on your
feet for most of the night. Add in the fact that the opening act is The
Association and it just doesn't get much better than this. A top-notch night of
'60's music is guaranteed. (Wish you could come in for the show, Barry ... it
would blow you away!) kk
Anyone remember this
show? MALIBU U?
It wasn't great but I did watch it back when I was 10.
If my memory is correct, Ozzie and Harriet had just gone off the air the year before.
Bill
https://www.youtube.com/watch?v=fZILEXvvGAM
It wasn't great but I did watch it back when I was 10.
If my memory is correct, Ozzie and Harriet had just gone off the air the year before.
Bill
https://www.youtube.com/watch?v=fZILEXvvGAM
I vaguely
remember it ... but can't say that I actually watched it. It was VERY
short-lived ... but Rick had some GREAT guest stars on the program during its
short time on the air.
The program
only ran for seven short episodes ... but check out this guest list along the
way:
Episode One - Frankie Valli, Don Ho and Annette
Funicello
Episode Two - Leonard Nimoy, Engelbert
Humperdinck, Bobby Rydell, Mrs. Miller and The Buffalo Springfield
Episode Three - James Darren and Harpers
Bizarre
Episode Four - The Turtles, Lesley Gore and Lou
Rawls
Episode Five - The Fifth Dimension, John Astin
and The Sunshine Company
Episode Six - The Doors, Marvin Gaye, Chad and
Jeremy and Lou Christie
Episode Seven - Dionne Warwick, Sandy Posey and
Peter and Gordon
Naturally, Rick sang something every episode, too
... but by 1967 his chart hits had already stopped a few years earlier, thanks
to The British Invasion. Still, it WOULD be cool to see all these shows again!
(kk)
Kent,
I agree with what you said in today's FH. Why would Nancy Sinatra
not sing two songs that she currently had out on the charts and were currently
playing on the radio? Might be an interesting story behind that. Maybe trying to
reach the audience of her dad?
Your WLS survey dated February 24th
can be summed up in one word like every survey out at the time and that one word
is VARIETY. What a variety of music being played on the radio back in the day.
The first thing I noticed on the
survey was song positions 40 and 34, those being held down by Frankie Laine and
Al Martino, respectively. Frankie Laine and Al Martino, not your traditional
rock and roll singers, but singers nevertheless, that made records that made the
surveys back in the day.
The only type of record missing
from WLS that week were a country crossover and one designated as novelty. Here
in the OKC area, there was no Frankie Laine or Al Martino, but Jack Jones was on
the survey with a song called LADY. There was a country crossover from singer
Jack Greene with THERE GOES MY EVERYTHING. The novelty? The record THE RETURN OF
THE RED BARON made it's initial appearance on our survey at the bottom of the
page. Our #1 record was AMY by Bobby Darin, the Pick Hit of the Week was LET'S
FALL IN LOVE by Peaches and Herb with the Pick Album of the Week being IN CASE
YOU'RE IN LOVE by Sonny and Cher.
One final thing speaking of Frankie Laine ... later on in 1967 he
recorded the tune the Platters did called TO EACH HIS OWN, a version I
completely liked.
You mentioned you might do a similar work in FH for the year 1971.
I'd vote for that as well.
Larry
1967 was quite a year for Nancy Sinatra
... Sugar Town (#4), Love Eyes (#12), Lightning's Girl (#18), the theme song to
the James Bond flick You Only Live Twice (#44) and hit duets with her father
(Somethin' Stupid, #1) and her Producer Lee Hazlewood (Summer Wine, #49,
Jackson, #13 and Lady Bird #20) ... so yes, VERY strange to have her singing
OTHER people's music in a TV spot.
"Lady" by Jack Jones is a favorite of
mine from '67 ... it reached #33 on the WLS Chart.
The thought of doing 1971 crossed my mind
but I'm nowhere near ready to commit to it yet, now that I've seen just how much
work putting this series together was. Whereas I originally thought that by
devoting an extensive amount of time to pre-writing the entire year last year
would afford me the luxury of tons of free time THIS year, that just hasn't
happened. Periodic adjustments and corrections here and there, keeping the 1967
Bonus Material (like this one) coming and other incidental features like The
Sunday Comments (covering topics other than 1967) as well as special
announcements and features is probably now taking up MORE of my time than ever
before! But who knows ... I may get REAL ambitious some day ... and start
putting together a series on 1971 while all the rest of you are sleeping! You
just never know. (kk)
Hi Kent,
While thinking about the
Sunday comments and pondering how to get Coppock in the same year as the rest of
us, I remembered hearing Mother Weber’s Oldest Son Clark play “Do I Have To Come
Right Out And Say It?” by Buffalo Springfield a few times. It was the B-side of
For What It's Worth. It’s a great tune in its own right and showed another side
of this band.
Clark was part of my
morning routine before heading off to high school. Thanks, Clark, for being
part of my life and having good set of ears.
I’m sure Chet has some
great 1967 stories to tell. I’d like to hear one or two.
Tom
"Do I Have To Come Right Out And Say It"
is a GREAT song ... hard to believe that was an example of early Neil Young
writing ... great vocal, too (although I'm betting NOT by Neil!) I don't recall
ever hearing it on the radio ... but I played the heck out of it on my 45!
(Seems others liked it, too ... when we did our Favorite, Forgotten B-Sides Poll
several years ago, this one came in at #65!)
I think it was a bit later on ... probably the following year ... that Chet Coppock became a roadie for The New Colony Six ... and he has told MANY stories of this exciting time ... being with the band in the studio at Chess Records while they cut their two biggest national hits, "I Will Always Think About You" and "Things I'd Like To Say" ... being called up on stage, wearing a white Afro wig to do his Wayne Cochran imitation ... and lots more. Hopefully, he'll continue to chime in as we hit more highlights (sports and otherwise) as the series continues. (Check out his Ides Of March review above ... outstanding!)
Damn! It's already March!!! We're just
crankin' through this thing, aren't we??? (kk)
Our appearance on Mark Dawson's radio program
"Making Noise With Mark Dawson" on OurGenerationRadio.com originally scheduled for
tonight has been pushed back to next week ... please join us next Thursday Night
when each of us will be picking ... and playing ... some of our favorite tracks
from 1967 ...
You can check it all out right here
...
~ "Making Noise with Mark
Dawson" featuring Kent Kotal and his best of 1967,
Thursday, March
9th, at 9 pm eastern time on OurGenerationRadio.com ~
We'll send you another reminder as we get closer
to show time! (kk)